Jackal Archipelago has a short time left on it’s Kickstarter Campaign, so get in quick if you’re interested!
As a show of appreciation for all the people who’ve pledged support for my web creations over on Patreon, I’ve decided to grant you all very specific divine domains as the Patreon Pantheon. Thank you.
Raysplacenspace, God of Astronomically Themed Calendars
Abilio Carvalho, God of Actually Enjoyable Exercise
Ryder Smith, God of Enjoyable Study Regarding Subjects that Interest You
Xanthippe Pink, God of Hard Core but Still Light Hearted Pop Culture Analysis
Alex V, God of Bundling Up in Winter
Michael South, God of Underappreciated Pokemon
Drew DeYoung, God of Perfect Weather Nights to Eat S’mores around a Bonfire
Kalkidan, God of Laughing Until Your Abs Hurt
Tim Stacey, God of Educational Presentations at Science Centres that use Bubbles and Electricity and Stuff
hendrik, God of Miraculously Drawing a Straight Line Without a Ruler
David Lewis-Frazier, God of Lively Debates that Don’t Get Out of Hand
Rebecca, God of Stumbling Across Really Good Restaurants No One Else Knows About
Sgtbignose, God of Progressive Sci-Fi Television
Michael Prudoehl, God of Openly Enjoying Things to the Fullest Enthusiasm
Johan, God of Old Maps with Weird Place Names Where Ordinary Names Would Be Now
Kaye Asplund, God of Varied but Equally Feel-Good Interests
Steve Wooster, God of Frivolous Expenditures that Make You Feel Good and Not Guilty
Aaron Burke, God of Catchy Songs You Hear By Accident that Become Your New Favourite
Amit Gil, God of Really Enjoyable Clever Writing
Tobias Theuer, God of Finding Lost Items in the First Place You Look
Daimon, God of Beloved Stories from Childhood
Sean O’Flaherty, God of Top Notch Con Purchases
Patrick Thornton, God of Curiosity that Pays Off
Paul Gunterman, God of Perfect Last Minute Costume Ideas
Brandan Feickert, God of Successfully Tossing Paper Into a Bin Long Distance and Impressing Everyone
Lee Thayer, God of Being the Robots’ Favourite When the Revolution Comes
Robin Hayes, God of Stories that Give You the Spooks but Don’t Give You Nightmares
Hao Tran, God of Umbrellas Used for Shade
DeaDy, God of Brilliant Op-Shop Finds
Craig Fogle, God of That Warm Golden Feeling When You Try to Hold in a Laugh
Steven Quirk, God of Excellent Names You Unexpectedly Hear in Passing
Alexander Pereira, God of Childhood Favourites that Still Hold Up
Trey Just, God of Little Known but Brilliant Fantasy Series
Brian Willson, God of Successfully Blowing the Biggest, Most Perfect Bubblegum Bubble
Gwen Hansen, God of Crispy Autumn Leaves
Matt Nelson, God of Sleeping in on Winter Mornings
Ivar Kråbøl, God of Pretty Birdsongs in the Early Hours
RJ Grendelshire, God of TV Cliffhangers with Satisfying Conclusions
George Tohill, God of Always Amazing Hair
CakeMachine, God of Impromptu Water Balloon Fights
Laurent Tirta, God of Being the First Person on the Ice at a Skating Rink
David Harrison, God of Salads that have Only the Veggies you Like & None of the Ones that you Don’t
Ernst Jan Plugge, God of Three Day Weekends
Lewis Lopez, God of YouTube Mascots
Ahmed Awadhi, God of Excellent Roadtrip Music
Christophe Malgouyres, God of The Smell of Delicious Food as it Cooks
John Corrigan, God of Favourable Statistics
Paul Duesterhaus, God of Mysterious Secret Pathways through Magic Woods
Peter, God of Rocketships and Submarines
Robert Johnson, God of Curiously Investigating How Things Work
Matthew Lennon, God of Pianos in the Desert
Cristina Purice, God of Bioluminescent Lanterns Made using Insects & Mason Jars
Nicolai Pedersen, God of Smooth Running Mechanisms
Jeramie Vens, God of Exciting Seaside Day Trips
Ernest, God of Innovative Trampoline Functionality
Cory Laino, God of Being Able to Find Constellations in the Night Sky
Mark Brown, God of Trees that look like Ents
Evgeni Kirilov, God of Brightly Coloured Scientific Equipment
Michael Mallon, God of Ultimate Amusement Parks
Rob Collini, God of Strange and Wonderful Webcomics
David Wiley, God of Warm Showers
Megan Sandiford, God of Coloured Pencil Collections
Sébastien Adhikari, God of Cool Guy Sunnies
Raphaël Proust, God of Nights When the Moon looks Massive
Jazz, God of Out of Place Row Boats
Ryan Attard, God of Sick Guitar Solos
Steve Maxwell, God of Personalised Mixtapes
Martine Lenders, God of Hilarious Delirious Sleep Deprived Queries
Ronald Woodard, God of Charming Melodies
Kenneth Fritz, God of Falling Asleep While Reading
Maarten Daalder, God of Relaxed Backyard Barbeques with Fun People
Sonni Lowe, God of Unblemished Foil Cards
Keri, God of Getting an Early Mark off from Work
Alyssa Benson, God of Animals that would Seem Fake by Description Alone
Gavin Westbrook, God of Stylish Transportation
Kevin, God of Badass Comic Cover Art
David Buechler, God of Retro Music Stores with Friendly Vibes
Kevin Dowd, God of Classic Games Played with a Deck of Cards
Connor McGarity, God of Freshly Mown Grass that Doesn’t Trigger Hay Fever
Fraggle Wrangler, God of Mesmerising Tortoise Shell Patterns
Becca Johnson, God of Exemplary Animal Themed Apparel
Nate, God of Late Night Spontaneity
James, God of Fun Mostly Pointless Experiments
Fran, God of On-Point Music Playlists
Ed Read, God of Lag-Free Gaming
Sarah Parker, God of Sprinkler Rainbows
Aetherspoon, God of Amiable Felines
James Thompson, God of Good Looking Snow Globes
David Henry, God of Misheard Song Lyrics that are Better than the Real Ones
Aaron Lovegren, God of Full Biscuit Tins
Nathan Avery, God of Cool Looking Heist Diagrams
Tyroler, God of Fresh Market Fruit
Phil Wardlow, God of Big Climbable Party Trees
John G. Swope, God of Unknown Garden Parks
Jesse Baron, God of Being Wrong About Pizza
Froebel Vergara, God of Exciting Street Art
Leslie Weatherstone, God of Iridescent Seashells
Joe Spandrusyszyn, God of Fantastic Lighting
Michael Lefevre, God of Comfy Socks
Michael Stanley, God of Tasty Bakery Treats
SecretSquirrell, God of Odd Classic Cartoon Characters
Jonathan Clements, God of Really Super Nice Smelling Plants
David O. Hagen, God of Phenomenal Lookout Views and Unspoiled Picnics
James Hyman, God of Late Night Philosophising
Callum Moore, God of Free Playground Equipment
Vince O’Connor, God of Beautiful Clockwork
Geoff Cahill, God of Enthralling Circus Acts
Michael Keller, God of Crunchable Footpath Leaves
Christopher Ferguson, God of Pens that Never Seem to Run Out
Anders Jørgensen, God of Stones that Skip Just Right
Michael Roach, God of Warm Sounding Songs
Alexander Lundberg, God of Surprisingly Accurate Map Drawing
Daniel Hooley, God of Obscure Fables
Jens Elmose, God of Smudge Free Glass
Michael Sommers, God of Fond Family Histories and Photo Albums
Jurjen Stellingwerff, God of Gorgeous Stained Glass Windows
Gabriel Veiga, God of Artistic Escapism
Marcus Meitzler, God of Well Toasted Marshmallows
Faisal Mirza, God of Dramatic Fireworks Finales
Dominic Hobbs, God of Unexpected Learning During Conversation
Thiophen, God of Intriguing Intricate Designs
Steven Kern, God of Still Functioning Old-School Radios
Paul Crago, God of Sweet As Game Music
Sebastian Werner, God of Architecturally Magnificent Blanket Forts
Kevin Martin, God of Favourite Clothing Items
Eric Barkman, God of Fresh Air Respite at Parties
David Koble, God of Interesting and Unusual Dragon Hoards
Scott Graham, God of Awesome Classic Movie Posters
Greg Ball, God of Easy Afternoons
RaptorChow, God of Dinosaur Museums
Tim Price, God of Unpopped Bubble Wrap
James Smith, God of Stellar Scented Candles
Ian Moldovan, God of Pineapple Utility
Invisible Fat Man, God of Humorous Observations
Joshua Stevens, God of Fresh Crisp Bedsheets
Paul Charvet, God of Festive Decorations
Peter Millane, God of New Book Smell
Brian C. Williams, God of Happy Photographs
Patrick Reilly, God of Overflowing Polyhedral Dice Collections
Kayla Sullivan, God of Twinkling Faerie Lights
Nickolas Jeffcoat, God of Brightly Coloured Flying Insects
Simon Davie, God of Splashable Rain Puddles
William Petterson, God of Whimsical and Delicious Snack Foods
Jaime Unson, God of Well Placed Emojis
Jeffrey J Johnson, God of Uninterrupted Reading Nights
Rick Mares, God of Soothing Nature Sounds
Paul D Perez, God of Perfectly Rumbly Thunderstorms
MattsTheories, God of Eyecatching Sunhats
Dave Douds, God of Successful IKEA Expeditions
Sean Larkin, God of Quality Magicians
Charlie Parker, God of Overly Confident Woodland Critters
Chandler Swink, God of Spontaneous Living Room Dance Parties
Bill Gould, God of Aesthetically Pleasing Frost
Melanie, God of Thrilling Carnivals
Elias Thompson, God of Entertaining Starbucks Misspellings
Daniel “Dezzles”, God of Root Vegetable Mobility
This list will continue to be updated.
Sort of, at least.
After making my D&D prep TED video the other day I have been flooded with requests for access to some of the custom content I mentioned, in particular the coveted Build-A-Baddie table. Well, you’re welcome to it. May it bring you swift and successful improvised combat.
(For whatever reason WordPress isn’t enjoying the picture; the Imgur link above should provide a higher quality version).
Of course it’s pretty basic and isn’t intended for the creation of actual planned adversaries; they should have a little more thought put in. This is strictly for when your PCs pick a fight with someone you never thought they’d pick a fight with, but you still want combat with that NPC to have some character and depth.
The system is really simple: First choose whether the ‘Baddie’ best fits the category of Strong, Smart or Skilled. Then, in the appropriate column, you can select a build archetype with its appropriate AC and HP (thrown together with my 1st level party in mind) as well as what saves should get a bonus (this uses the Pathfinder Saves, but I’m sure you can extrapolate the equivalent 5e saves if you so desire). This archetype doesn’t necessarily mean exactly what it says of the tin, it just evokes a sense of what kind of a Strong, Smart or Skilled person they are. I think the example I used in the video was a mercenary bandit who had the Soldier archetype. What that tells me (other than his AC, HP, and Save) isn’t that he’s a soldier-mercenary-bandit-uber-person, but rather that this is a more disciplined fighter, possibly better technically trained in combat, yada yada you get it. Next: Basic Attacks! Each of these columns has at least one option that would likely come paired with another of the weapons listed, like the shield or the True Strike, to give you some variety. And finally, because you want this combat to feel special even if it did just come up totally out of the blue, I’ve listed some Special Actions that you can choose from on the fly to give your NPC a little more flavour. The party have started some biff with a group of snooty rich uni boys? Turns out the leader of their little gang can command his goons to fight better (via Inspiration). That carnie acrobat with the glass eye who won’t give the party their refund? She can move really freaking fast (helloooooo Mobile)! The wish is to give the impression that this isn’t just any stock standard fight; this is an actual character the PCs have shirtfronted, whether you planned them that way or not.
And that’s it! Simple as that! Thanks for showing an interest, everyone, hopefully you find some purpose and usefulness for this in your game.
I certainly hope it works… For all our sakes.
This session I’ve been following Ivan’s project in which he’s been attempting to build a virtual space using Unreal Engine, extending the experience he got working on the virtual reality recreation of the Yellow House gallery with Chris Moore. His original aim was to create a learning environment. We had discussed this concept early on with ideas of a digital building inside which various subjects for study could be found. The idea of a globe of the Earth was suggested, molecules which could be examined to learn more about their structure; something that could educationally engage a user on an interactive three-dimensional level.
Upon testing the waters and coming to the conclusion that this would be a lot of difficult work for his skill level and areas of knowledge, Ivan altered his aims to focus on the second of these ideas; building a 3D model of a molecular structure within a virtual space. Once again FEFO (Fail Early Fail Often) reigned supreme and this attempt, too, was scrapped after some building. Attempt number three saw a VR recreation of Howl’s Moving Castle from the Studio Ghibli film of the same name. This iteration was fairly successful and Ivan’s work was of a high standard, however he ultimately put this project aside as well, citing foreseeable legal issues with copyright that he wanted to avoid.
Finally, Ivan settled on the concept of a relaxation space which he calls “Meditation Island”. Throughout all of these changes the core methodology remained the same, with Ivan continuing to practice the use of Unreal Engine to create virtual spaces, maintaining his goal of development using the medium. From an early pitch phase of this finalised build Ivan talked with the class about immersion through details and wanted to be able to include such things as audio to go along with the island’s shapes and textures in order to create that sense of reality. By the time of his Beta presentation he had very successfully integrated not only effective audio but also an imitation of a light breeze moving the leaves of the vegetation on the virtual island, confirming the significance of these details and highlighting their importance within Ivan’s project.
The Beta presentation did a great job of covering Ivan’s reiterative process and development from his early concept of a learning space to the final product of Meditation Island. Having the space available to be experienced on his laptop was a huge bonus to the Beta as a whole, allowing those viewing it to experience the space for themselves. Securing access to an Oculus Rift headset as he had done earlier in the session could have allowed the class to experience the island to its fullest extent, but it certainly wasn’t necessary for the impact to be felt, and in all honesty an improperly adjusted virtual reality headset and earphones may have wound up detracting from the finished artefact counter productively.
I would have enjoyed more detailed descriptions on the process of deciding which avenue of creation Ivan was pursuing and specifics as to why each attempt was scrapped or deemed a failure; more along the lines of the perceived potential for legal issues with the third project attempt for each of the other efforts would have been well received. In addition to this I would have liked to hear exactly how Ivan arrived at the success of his immersive audio, which had been brought up during earlier updates as something he wasn’t sure how to implement with verisimilitude. The addition of ambient sound had been a great point of interest for the class during previous discussions and I think the group as a whole would have liked to hear how this actually played out functionally. Further detail in annotation on Ivan’s blog post regarding this project would be interesting also, along the lines of his progress updates posted to twitter.
As far as feedback on the project itself… it’s difficult for me to speak on with technical sense since I have no experience in generating virtual spaces and am not familiar with the inner workings of Unreal Engine. Speaking from my limited position, however, I would recommend tweaks to things like water movement speed as was discussed by Ivan during the Beta itself. On the whole, I feel that small changes make a huge difference with this project, as seen with the addition of audio and leaf motion. Small details along those lines could be expected to continue making a massive positive impact. Perhaps splitting of the two different bodies of water, for example, making the lake on the island and the water surrounding the island into two separate pieces of water with their own distinct feels could go a long way to enhancing that sense of reality in Ivan’s virtual space.
The subject of the project’s public presence was brought up during the Beta regarding exactly how it will be released with no real definitive answers, Ivan wanting to present it as the intended VR experience and not just showcase the space in video form. I agree with this method as there has been plenty of public documentation across multiple sites of the full process, enough that I don’t feel more necessary until he’s identified a method of distribution which credits the project as it should.
For my Cybercultures class this session (DIGC335 for anyone who’s interested, I highly recommend it) I ended up delving quite a bit into the idea of persona and what exactly that means and where exactly it ends, which was a surprise to even myself given I’d started out by looking at Nuzlocke story sharing. So hopefully this doesn’t get too wibbly as I ramble about my findings over there for a while because it’s relevant and hella interesting.
Essentially my research came down to the phenomenological concept of experience defining reality. We only experience the world through sensation, so it is our experiences that make up everything we are. I experience therefore I am and all that. But when looking at persona online, that reality gets stretched beyond just physical sensational experiences.
So, to use the Nuzlocke example: A Nuzlocke webcomic would be an artistic rendering of a player’s experiences playing a pokemon game using the Nuzlocke ruleset. However, using our phenomenological definition of beingness, trying to identify which persona is the “real” person becomes incredibly tricky. Where exactly are you supposed to draw the line when you have a player artist experiencing the game, a character they’ve drawn based on themselves experiencing those same events within the narrative, as well as a character avatar enacting those events within the game’s coding AND an audience reading and experiencing those same events once again through a cathartic empathy with the comic protagonist?
It might seem like an extreme example just suddenly dropping this from a third year subject into a first year one without any context, but really I think it acknowledges strongly that we have to recognise different personae as being just as “real” and “authentic” as our analogue selves, even if they don’t all match up with each other or meet our expectations of what reality should be. Because, just as with any simulation; if you’re experiencing it as reality then what’s the difference? What does it matter?
I have a favourite story I like to tell to illustrate the difference between legacy journalism and citizen journalism through sites like Twitter. I’d been having lunch with friends and one of them had spent the entire early half of the conversation deriding new media, proudly declaring that he had no Facebook or Twitter accounts, instead getting his news from reliable old fashioned fact checked sources, like radio. I gritted my teeth through the derision and allowed the conversation to move on. Some 10 minutes later he somehow got back onto his tirade against Twitter. “Hashtags are the scourge of the Earth!” he complained (or something to that effect anyway). “That stupid dress colour thing happened on the same day as Leonard Nimoy’s death and so it’s all the radio talked about!” Being a huge Star Trek fan he was extremely upset by this injustice.
I pointed out to him that, actually, the two events happened days apart. That such a thing was perfectly visible from a position seated in the heart of Twitter. That #TheDress had died down plenty in time to see the many tributes to the sci-fi legend Twitter put forth with #RIPLeonardNimoy trending. That as it turned out, all his argument had proven was that he waits for a week to get the exact same news Twitter would have given him instantly, that it was more clumsily delivered, and that he himself didn’t do any fact checking. He’d turned quite red by this point and quietly changed the subject.
I’ve become really interested in the concept of shared knowledge and collective intelligence, and whether or not there is a place where this ‘citizen journalism’ ends. The shift in journalistic media and news sharing towards new media sites has, among other things, made less of a distinction between what is “newsworthy” and what is not because the audience is able to decide which news they want to tune into for themselves. We can see how this works on a global scale, but I’d posit that it can work on an incredibly small, local, insular level as well.
I attended high school during the initial rise of Facebook and one of its primary uses during that time was that it became a hub of information sharing. Regularly we’d send out the call for help on homework questions or assignments, due dates, excursion info, anything we needed to know, and responses would be instant, developing this kind of hive mind we’ve talked about in the course. We could collect the data we needed from each other instantaneously, because there was always someone in the connected community who had the information on hand. It all keeps coming back to that idea that no one knows everything, but everyone knows something.
After listening to the lecture on remix culture, I knew I wanted to give remixing a go myself, despite having little to no idea what I was doing. And this is the result. A somewhat illegal, manywhat dodgy mash up of a dance mix by Artistic Raw (I tried to make my own, it wasn’t pretty at all) and a childhood favourite film of mine, The Court Jester, starring Danny Kaye.
Somehow I’m still proud of it, because BOY it was hard.
My edits to the music were pretty minimal in the long run, just reorganising, clipping, switching bits out, I can only begin to imagine the time and effort taken to build it from the ground up. I found out quickly I wasn’t musically gifted enough to thread actual tunes together over my original terrible backing track, so again my spoken-word-only vocals must be a million times simpler than trying to match pitch and keys and what have you.
All I’m saying is that the skill required to take part in this subculture has to be considerable. And once again, new media becomes a great equaliser! People finding a way to showcase their abilities even without having access to a bajillion dollars of sound equipment — they’ll take the stuff YOU made with your bajillion dollars worth of sound equipment and they’ll prove that just with a laptop, they can make it better (ooor, at least different). Reformatting texts to make a separate text that’s entirely new. It’s like a super cool take on adaptation theory. With the amount of work that goes into these, and the complete difference most of them have to their original sampled origins… Really it just makes me think once again that we probably need to update how copyright laws function (in a GOOD way, not a more power to the big guys way for once).
AND I finally learned how to use Audacity! So that’s a win, huh!